
plate no. 0635
Dana Levin, 2003
This painting is great for learning to create a focal point using light and shadow, and for practicing subtle color variations in a limited palette. It also provides practice in rendering realistic skin tones and fabric folds.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figure and the table.
Establish the darkest areas of the background with a dark neutral mix.
Block in the main shapes of the figure and the table with mid-tone values.
Begin to refine the light areas on the figure, paying attention to the subtle shifts in value.
Add details to the face and hands, focusing on accurate proportions and subtle shading.
Paint the papers and other objects on the table, paying attention to their form and texture.
Adjust the overall values and colors to create a sense of depth and atmosphere.
Add final highlights and details to complete the painting.
color palette
primary · ivory black · titanium white · yellow ochre
secondary · burnt umber · raw sienna
Mix various shades of gray by combining ivory black and titanium white. Use yellow ochre to warm up the whites for the figure's clothing and skin. Burnt umber can be used to darken shadows and add depth.
techniques
common pitfalls
surface · stretched canvas
required
optional
A smooth canvas surface will be best for achieving the subtle blending in this painting.
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