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home·artworks·Woman Reading
Woman Reading by Dana Levin

plate no. 0635

Woman Reading

Dana Levin, 2003

oilContemporary Realismgenre paintingfigurewomanreadinginteriortablepapers
some experience helpful

This painting is great for learning to create a focal point using light and shadow, and for practicing subtle color variations in a limited palette. It also provides practice in rendering realistic skin tones and fabric folds.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the table.

  2. step 02

    Establish the darkest areas of the background with a dark neutral mix.

  3. step 03

    Block in the main shapes of the figure and the table with mid-tone values.

  4. step 04

    Begin to refine the light areas on the figure, paying attention to the subtle shifts in value.

  5. step 05

    Add details to the face and hands, focusing on accurate proportions and subtle shading.

  6. step 06

    Paint the papers and other objects on the table, paying attention to their form and texture.

  7. step 07

    Adjust the overall values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · titanium white · yellow ochre

secondary · burnt umber · raw sienna

Mix various shades of gray by combining ivory black and titanium white. Use yellow ochre to warm up the whites for the figure's clothing and skin. Burnt umber can be used to darken shadows and add depth.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·value studies
  • ·limited palette

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details before establishing the overall form.
  • →Using too much color and losing the subtle tonal harmony.
  • →Ignoring the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Ivory black oil paint
  • ·Titanium white oil paint
  • ·Yellow ochre oil paint
  • ·Burnt umber oil paint
  • ·Round brushes (sizes 2, 4, 6)
  • ·Palette
  • ·Odorless mineral spirits

optional

  • ·Raw sienna oil paint
  • ·Palette knife
  • ·Linseed oil
  • ·Retouch varnish

A smooth canvas surface will be best for achieving the subtle blending in this painting.

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