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home·artworks·Woman in white
Woman in white by Theophrastos Triantafyllidis

plate no. 2043

Woman in white

Theophrastos Triantafyllidis

oilPost-Impressionismportraitportraitwomanhatclothinghandsfigure
some experience helpful

This painting offers a good exercise in portraiture, focusing on capturing likeness and form through subtle value changes. Students will also develop skills in rendering fabric and skin tones using a limited palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the figure, hat, and hands, paying attention to proportions.

  2. step 02

    Establish the background color with a thin wash of burnt sienna and umber.

  3. step 03

    Block in the main areas of light and shadow on the face, hat, and clothing using a limited palette.

  4. step 04

    Refine the facial features, focusing on subtle value changes to create form.

  5. step 05

    Develop the details of the hat, paying attention to the light and shadow.

  6. step 06

    Model the hands, capturing the subtle curves and folds.

  7. step 07

    Add highlights to the face, hat, and clothing to create a sense of depth.

  8. step 08

    Refine the edges and details, ensuring a cohesive and harmonious composition.

color palette

primary · titanium white · burnt sienna · raw umber

secondary · ivory black · yellow ochre

Mix white with small amounts of burnt sienna and raw umber to create the skin tones. Use ivory black to darken the shadows. Yellow ochre can be used to warm up the skin tones and create highlights.

techniques

  • ·value study
  • ·limited palette
  • ·blending
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Using too much paint and losing the subtle value changes.
  • →Ignoring the importance of edges and transitions.
  • →Getting the proportions wrong in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·linseed oil
  • ·#4 round brush

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas for best results. Consider toning the canvas with a thin wash of burnt sienna before starting.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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