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home·artworks·Woman in White
Woman in White by Arthur Beecher Carles

plate no. 4171

Woman in White

Arthur Beecher Carles, 1920

oilPost-Impressionismportraitfigureportraitdresshaircouchred
some experience helpful

Recreating this painting will help students practice portraiture, color mixing for skin tones, and capturing form with loose, expressive brushstrokes. It also provides an opportunity to study the interplay of warm and cool colors.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and the couch.

  2. step 02

    Establish the background color with broad strokes of red and brown.

  3. step 03

    Block in the main areas of the figure with simplified color masses, focusing on light and shadow.

  4. step 04

    Mix skin tones using a limited palette of white, yellow ochre, red, and a touch of blue.

  5. step 05

    Develop the form of the face and body with short, directional brushstrokes.

  6. step 06

    Add details to the dress and hair, paying attention to the highlights and shadows.

  7. step 07

    Refine the edges and contours of the figure to create a sense of depth.

  8. step 08

    Add final touches and highlights to bring the painting to life.

color palette

primary · red · white · yellow ochre

secondary · burnt umber · ultramarine blue · raw sienna

Skin tones are achieved by mixing white, yellow ochre, and a touch of red. Use ultramarine blue to cool down the skin tones in shadow areas. The red background is a mix of red and burnt umber.

techniques

  • ·broken color
  • ·scumbling
  • ·color temperature control
  • ·directional brushstrokes
  • ·alla prima

common pitfalls

  • →Overblending the colors, resulting in a muddy appearance.
  • →Getting the proportions of the figure wrong.
  • →Ignoring the subtle shifts in color temperature.
  • →Being too precise with the brushstrokes.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Oil paints: red, white, yellow ochre, burnt umber, ultramarine blue
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Medium gloss
  • ·Easel
  • ·Apron

Use a medium-tooth canvas for better paint adhesion. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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