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Woman in the Sun by Edward Hopper

plate no. 6961

Woman in the Sun

Edward Hopper, 1961

oil, canvasNew Realismnude painting (nu)figureinteriorwindowlandscapebedlight
some experience helpful

Recreating this painting will help students develop skills in depicting the human figure in a realistic style and understanding how light and shadow define form and create atmosphere.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic shapes and proportions of the figure, bed, window, and room.

  2. step 02

    Establish the horizon line and basic shapes of the landscape outside the window.

  3. step 03

    Block in the large areas of color, starting with the walls, floor, and sky.

  4. step 04

    Develop the figure's form using subtle gradations of color and value, paying attention to the light source.

  5. step 05

    Add details to the bed, window frame, and other elements in the room.

  6. step 06

    Refine the landscape outside the window, focusing on the subtle color variations in the hills.

  7. step 07

    Add the cast shadows on the floor and bed, paying attention to their shape and intensity.

  8. step 08

    Make final adjustments to the colors, values, and details to achieve a cohesive and realistic effect.

color palette

primary · ultramarine blue · yellow ochre · titanium white

secondary · burnt umber · cadmium yellow light · viridian

The wall color is achieved by mixing ultramarine blue with white and a touch of yellow ochre. The skin tones are created by blending white, yellow ochre, burnt umber, and a touch of red. The floor is a mix of viridian and burnt umber.

techniques

  • ·figure drawing
  • ·color mixing
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of the figure.
  • →Overly harsh or unrealistic skin tones.
  • →Ignoring the subtle color variations in the walls and floor.
  • →Failing to capture the effect of light and shadow.
  • →Lack of atmospheric perspective in the landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the luminosity of the colors.

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oil painting for beginners →how to learn by studying the masters →
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