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home·artworks·Woman in a Street
Woman in a Street by Paul Serusier

plate no. 2681

Woman in a Street

Paul Serusier, 1891

oil, canvasPost-Impressionismcityscapestreetbuildingsfigurearchitecturetownshadows
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the effects of light and shadow on a street scene. It also provides practice in simplifying complex architectural forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and the road, paying attention to perspective.

  2. step 02

    Establish the horizon line and vanishing point.

  3. step 03

    Block in the main areas of color, starting with the sky and the road.

  4. step 04

    Add the darker tones of the buildings and shadows.

  5. step 05

    Refine the shapes of the buildings and add details such as windows and doors.

  6. step 06

    Paint the figures, focusing on their silhouettes and simple forms.

  7. step 07

    Add highlights to create a sense of light and atmosphere.

  8. step 08

    Adjust values and refine details to create a cohesive composition.

color palette

primary · yellow ochre · burnt umber · ultramarine blue

secondary · titanium white · raw sienna · cadmium red

Mix yellow ochre and burnt umber for the warm tones of the road and buildings. Add ultramarine blue to burnt umber to create the cool grays of the stone. Use titanium white to lighten colors and create highlights.

techniques

  • ·blocking in
  • ·atmospheric perspective
  • ·scumbling
  • ·broken color
  • ·simplification

common pitfalls

  • →getting bogged down in details too early
  • →incorrect perspective
  • →overworking the paint
  • →not paying attention to value relationships

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·odorless mineral spirits

Use a medium-grain canvas to allow for some texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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