apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Woman in a Straw Hat
Woman in a Straw Hat by Roger Bissière

plate no. 0101

Woman in a Straw Hat

Roger Bissière, 1920

oilPost-Impressionismportraitfigureportraithatfoliagewomanlandscape
some experience helpful

Recreating this painting will help students develop skills in broken color techniques and capturing form with loose, expressive brushstrokes. It's also a good exercise in simplifying complex subjects into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the overall value structure with a thin wash of diluted paint.

  3. step 03

    Begin applying broken color strokes to define the form and light.

  4. step 04

    Focus on capturing the local color of each area, rather than blending smoothly.

  5. step 05

    Build up layers of color, allowing some of the underpainting to show through.

  6. step 06

    Pay attention to the direction of the brushstrokes to suggest form and texture.

  7. step 07

    Refine the details of the face and hands, but maintain a loose, expressive style.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · yellow ochre · burnt umber · Prussian blue

secondary · sap green · cadmium yellow · titanium white

Mix various shades of green by combining Prussian blue and cadmium yellow. Use burnt umber and yellow ochre to create warm browns for the skin tones and hat. Add white to lighten colors and create highlights.

techniques

  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·alla prima
  • ·impasto

common pitfalls

  • →Overblending the colors, resulting in a muddy appearance.
  • →Losing the overall value structure by focusing too much on individual colors.
  • →Tightening up the brushstrokes and losing the expressive quality.
  • →Ignoring the direction of the brushstrokes and their impact on form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grit canvas to allow for texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov