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home·artworks·Wladislaw I
Wladislaw I by Josef Kriehuber

plate no. 4063

Wladislaw I

Josef Kriehuber, 1828

lithographyBiedermeierportraitfigureportraitkingrobecrownscepter
some experience helpful

Recreating this painting will help students practice rendering fabric folds and textures, as well as creating a convincing portrait with accurate proportions and details. Students will also learn to mix colors to achieve a historical look.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the overall pose and placement on the canvas.

  2. step 02

    Block in the main areas of color: the blue robe, red sleeves, gold trim, and skin tones.

  3. step 03

    Begin adding shadows and highlights to define the form of the robe, paying attention to the folds and drapery.

  4. step 04

    Refine the details of the face, including the eyes, nose, and mouth, using subtle shading to create depth.

  5. step 05

    Add the details of the crown, scepter, and orb, paying attention to the intricate designs and textures.

  6. step 06

    Work on the background, keeping it simple and neutral to avoid distracting from the figure.

  7. step 07

    Add final highlights and details to enhance the overall realism and vibrancy of the painting.

  8. step 08

    Glaze the painting to unify the colors and add depth.

color palette

primary · Prussian Blue · Cadmium Red · Yellow Ochre

secondary · Titanium White · Burnt Umber

Mix Prussian Blue with a touch of Burnt Umber for the darker shades of the robe. Use Yellow Ochre and Titanium White for the gold trim. Mix Cadmium Red with a touch of Burnt Umber for the sleeves.

techniques

  • ·glazing
  • ·hatching
  • ·scumbling
  • ·color mixing
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unnatural.
  • →Ignoring the subtle shifts in color and value within the fabric folds.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints: Prussian Blue, Cadmium Red, Yellow Ochre, Titanium White, Burnt Umber
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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