plate no. 9782
Winter Scene with Church
Abraham Manievich, 1911
some experience helpful
Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as simplifying complex forms into basic shapes. Students will also learn to create a sense of atmosphere and light using a limited color palette.
technical profile
palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3
study guide
est. 8 hrsapproach — 8 steps
- step 01
Sketch the basic shapes of the church, trees, and buildings using light pencil lines.
- step 02
Block in the main areas of color, starting with the sky and snow, using thin washes.
- step 03
Add the darker tones of the trees and buildings, focusing on the overall value structure.
- step 04
Layer in the mid-tones and highlights, gradually building up the form and detail.
- step 05
Use short, broken brushstrokes to create texture in the snow and foliage.
- step 06
Refine the details of the church and buildings, paying attention to the architectural elements.
- step 07
Add final highlights and shadows to create a sense of depth and dimension.
- step 08
Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.
color palette
primary · titanium white · raw umber · viridian green
secondary · cadmium yellow · alizarin crimson · ultramarine blue
Mix various shades of gray and brown by combining white, umber, and small amounts of blue or red. Achieve the green of the church dome by mixing viridian green with white and a touch of yellow.
techniques
- ·broken color
- ·dry brushing
- ·layering
- ·scumbling
- ·color mixing
common pitfalls
- →Overworking the details and losing the spontaneity of the brushstrokes.
- →Using too much color and creating a muddy effect.
- →Failing to establish a strong value structure.
- →Neglecting the importance of atmospheric perspective.
materials
surface · stretched canvas
required
- ·stretched canvas (12x16 inches)
- ·oil paints (titanium white, raw umber, viridian green, cadmium yellow, alizarin crimson, ultramarine blue)
- ·round brushes (sizes 2, 4, 6)
- ·flat brushes (sizes 4, 8)
- ·palette
- ·linseed oil
- ·turpentine or odorless mineral spirits
- ·palette knife
optional
- ·painting medium (e.g., Liquin)
- ·easel
- ·rags
Use a medium-tooth canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.
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