apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Winter Landscape with Stream
Winter Landscape with Stream by Julian Alden Weir

plate no. 7196

Winter Landscape with Stream

Julian Alden Weir, 1888

oil, canvasTonalismlandscapetreessnowlandscapeskywinterstream
some experience helpful

This painting provides an opportunity to practice creating atmospheric perspective and rendering the subtle color variations in snow and a winter sky. Students can also develop their skills in painting bare tree branches and creating a sense of depth through layering.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and the horizon line.

  2. step 02

    Block in the sky with a thin wash of blues and grays, creating a gradient from darker at the top to lighter near the horizon.

  3. step 03

    Establish the snow-covered ground with a base layer of white mixed with small amounts of blue, gray, and ochre.

  4. step 04

    Paint the tree trunks and branches using browns and grays, varying the thickness of the lines to create depth.

  5. step 05

    Add shadows to the snow using blues, purples, and grays to define the contours and create a sense of volume.

  6. step 06

    Develop the background elements, such as the distant trees and the stream, using muted colors and soft edges to create atmospheric perspective.

  7. step 07

    Refine the details of the foreground, adding texture to the snow and branches with dry brush techniques.

  8. step 08

    Add final highlights to the snow and branches to enhance the sense of light and atmosphere.

color palette

primary · titanium white · burnt umber · ultramarine blue

secondary · yellow ochre · raw umber · payne's gray

Mix white with small amounts of blue, gray, and ochre to create the various tones of snow. Use burnt umber and ultramarine blue to create a range of browns and grays for the trees.

techniques

  • ·dry brush
  • ·atmospheric perspective
  • ·color mixing
  • ·layering
  • ·scumbling

common pitfalls

  • →Overworking the snow and losing the subtle color variations.
  • →Making the tree branches too uniform and lacking in natural variation.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Using pure white straight from the tube, resulting in a flat, unrealistic snow effect.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·yellow ochre oil paint
  • ·raw umber oil paint

Use a canvas with a smooth surface for easier blending. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Spring, Hudson River

Spring, Hudson River

Leon Dabo

Oraibi, Hopi village, Arizona

Oraibi, Hopi village, Arizona

Xavier Martinez

The Farmyard

The Farmyard

Albert Pinkham Ryder

Woodland Vista

Woodland Vista

Ralph Blakelock

Landscape

Landscape

Leon Dabo

Ravine near Branchville

Ravine near Branchville

Julian Alden Weir

Untitled (Moon Over a Harbor)

Untitled (Moon Over a Harbor)

Edward Mitchell Bannister

Afternoon in Piedmont (Elsie Whitaker Martinez)

Afternoon in Piedmont (Elsie Whitaker Martinez)

Xavier Martinez