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home·artworks·Untitled (Moon Over a Harbor)
Untitled (Moon Over a Harbor) by Edward Mitchell Bannister

plate no. 8368

Untitled (Moon Over a Harbor)

Edward Mitchell Bannister, 1868

oilTonalismlandscapemoonwaterboatsharborbuildingnight
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to create a sense of depth using value and color temperature. It also provides practice in capturing the subtle reflections of light on water.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the moon and main elements.

  2. step 02

    Establish the overall dark value of the sky and water using a thin wash of dark color.

  3. step 03

    Block in the larger shapes of the building, boats, and landmasses with their respective values.

  4. step 04

    Begin to refine the shapes and add details, paying attention to the reflections in the water.

  5. step 05

    Introduce subtle color variations in the sky and water to create depth and atmosphere.

  6. step 06

    Add highlights to the moon and the areas where the moonlight reflects on the water and objects.

  7. step 07

    Refine the details of the foreground elements, such as the grasses and shoreline.

  8. step 08

    Add final touches and adjust values as needed to create a cohesive and atmospheric painting.

color palette

primary · ivory black · raw umber · titanium white

secondary · yellow ochre · ultramarine blue

Achieve the muted tones by mixing black and umber with small amounts of white and ochre. Use blue sparingly to cool down the dark tones.

techniques

  • ·value studies
  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Making the highlights too bright, losing the overall dark and moody atmosphere.
  • →Overworking the details, resulting in a stiff and unnatural appearance.
  • →Failing to create a sense of depth and atmosphere through subtle value and color changes.
  • →Not paying attention to the reflections in the water, making them appear unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·linseed oil
  • ·round brushes (various sizes)

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a toned canvas to help establish the overall dark value of the painting. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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