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home·artworks·Afternoon in Piedmont (Elsie Whitaker Martinez)
Afternoon in Piedmont (Elsie Whitaker Martinez) by Xavier Martinez

plate no. 3460

Afternoon in Piedmont (Elsie Whitaker Martinez)

Xavier Martinez, 1908

oilTonalismportraitfigurewindowcurtainslandscapeinteriorlight
some experience helpful

This painting is great for practicing limited palette color mixing and creating atmospheric perspective. Students can learn to create a sense of depth and mood using subtle value and color shifts.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, window, and landscape.

  2. step 02

    Establish the overall value structure with a thin wash of a neutral color like raw umber.

  3. step 03

    Block in the main areas of color, starting with the darkest areas and working towards the lightest.

  4. step 04

    Mix a range of greens and yellows to represent the light filtering through the window and illuminating the scene.

  5. step 05

    Refine the details of the figure, paying attention to the subtle shifts in value and color.

  6. step 06

    Add details to the landscape outside the window, using lighter values and less detail to create a sense of distance.

  7. step 07

    Soften edges and blend colors to create a hazy, atmospheric effect.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and form.

color palette

primary · yellow ochre · raw umber · ivory black

secondary · titanium white · sap green

Achieve the muted greens by mixing yellow ochre, raw umber, and a touch of sap green. Use white to lighten values and create highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·limited palette
  • ·atmospheric perspective

common pitfalls

  • →overworking the details
  • →using too many colors
  • →creating harsh edges
  • →ignoring the value structure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel

Use a medium-tooth canvas to allow for subtle blending and layering. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →how to learn by studying the masters →
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