apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Winter Landscape
Winter Landscape by George Morland

plate no. 0827

Winter Landscape

George Morland

oilRococogenre paintingwinterlandscapefiguresanimalssnowbuildings
some experience helpful

Recreating this painting will help students develop skills in layering, creating atmospheric perspective, and rendering textures like snow and fur. It also provides practice in depicting figures and animals in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, figures, tree, and sheep.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Begin layering in the sky and background, gradually building up the darker tones.

  4. step 04

    Block in the main shapes of the buildings, figures, and animals with their local colors.

  5. step 05

    Add details to the tree, focusing on the snow-covered branches and trunk.

  6. step 06

    Refine the figures and animals, paying attention to their form and proportions.

  7. step 07

    Add highlights to the snow and other reflective surfaces to create a sense of light and depth.

  8. step 08

    Glaze with thin layers of color to unify the painting and create atmospheric effects.

color palette

primary · titanium white · burnt umber · yellow ochre

secondary · raw sienna · ivory black · ultramarine blue

Achieve the snowy whites by mixing titanium white with small amounts of yellow ochre and burnt umber. Create the darker tones by mixing burnt umber with ivory black and a touch of ultramarine blue.

techniques

  • ·layering
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much pure white, resulting in a flat, unrealistic snow effect.
  • →Neglecting the subtle color variations in the snow and shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West