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home·artworks·Winter in Innsbruck
Winter in Innsbruck by Nikola Tanev

plate no. 9115

Winter in Innsbruck

Nikola Tanev

oilPost-Impressionismlandscapetreessnowwinterlandscapebuildingscityscape
some experience helpful

Recreating this painting will help students develop skills in layering paint to create depth and using directional brushstrokes to depict texture, particularly in the snow. It also provides practice in mixing subtle variations of gray and blue.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and buildings.

  2. step 02

    Establish the overall value structure with a thin wash of neutral gray.

  3. step 03

    Begin layering in the sky, using soft, blended brushstrokes.

  4. step 04

    Add the distant buildings and trees, using darker values and less detail.

  5. step 05

    Develop the foreground snow with directional brushstrokes, varying the values to create depth and texture.

  6. step 06

    Paint the tree trunks and branches, paying attention to their shapes and angles.

  7. step 07

    Add highlights to the snow and buildings to create a sense of light and atmosphere.

  8. step 08

    Refine details and adjust values as needed to achieve a cohesive and balanced composition.

color palette

primary · titanium white · payne's gray · ultramarine blue

secondary · raw umber · yellow ochre

Achieve the various grays by mixing white with Payne's gray and small amounts of blue or umber. Use yellow ochre sparingly to warm up some of the grays.

techniques

  • ·dry brush texture
  • ·layering
  • ·directional brushstrokes
  • ·scumbling
  • ·limited palette

common pitfalls

  • →Overworking the snow, resulting in a flat and lifeless appearance.
  • →Using too much detail in the background, which can flatten the sense of depth.
  • →Ignoring the subtle color variations in the snow and sky.
  • →Making the tree trunks too uniform in color and shape.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·payne's gray oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

A toned canvas (light gray or raw umber) can be helpful for establishing the initial value structure.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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