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Windows III by Joseph Lorusso

plate no. 5846

Windows III

Joseph Lorusso

oilContemporary Realismcityscapewindowbrick wallarchitecturebuildingshadows
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations in brick tones and practice layering techniques to build texture and depth.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the window and the surrounding brick wall, paying attention to proportions.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Begin layering in the brick colors, starting with the darker tones and gradually adding lighter highlights.

  4. step 04

    Focus on capturing the texture of the brick using short, broken brushstrokes.

  5. step 05

    Paint the window frame, paying attention to the subtle color variations and the cast shadows.

  6. step 06

    Add details to the window panes, suggesting reflections and the darkness within.

  7. step 07

    Refine the edges and details throughout the painting, adjusting values and colors as needed.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · cadmium red light · ivory black

Mix various shades of brown and red by combining burnt umber, raw sienna, and cadmium red light. Use titanium white to lighten the colors and ivory black to darken them. Achieve the window frame color by mixing red with brown and white.

techniques

  • ·dry brush
  • ·scumbling
  • ·layering
  • ·color mixing
  • ·value control

common pitfalls

  • →Overblending the brick colors, resulting in a flat and lifeless appearance.
  • →Neglecting the subtle color variations in the brick and window frame.
  • →Failing to capture the texture of the brick with appropriate brushstrokes.
  • →Ignoring the importance of value contrast in creating depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·cadmium red light oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas to provide a good surface for the oil paint. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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