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Windows II by Joseph Lorusso

plate no. 2334

Windows II

Joseph Lorusso

oilContemporary Realismcityscapebrickswindowlightshadowbuildingteapot
some experience helpful

Recreating this painting will help students understand how to depict light and shadow on a textured surface and how to create a focal point using contrast. It also provides practice in rendering brick textures with loose brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the window and brick wall, paying attention to proportions.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes.

  3. step 03

    Begin building up the brick texture with short, broken brushstrokes, varying the color and value slightly for each brick.

  4. step 04

    Focus on the light source and how it affects the surfaces around the window, creating highlights and shadows.

  5. step 05

    Refine the details of the window and the teapot, paying attention to their form and texture.

  6. step 06

    Add subtle color variations to the brickwork to create depth and interest.

  7. step 07

    Soften edges where necessary to create a sense of atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the sense of light and form.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · cadmium yellow

Mix various shades of brown and gray by combining burnt umber, raw sienna, and ultramarine blue with white. Use cadmium yellow sparingly to warm up the colors in the light areas.

techniques

  • ·broken color
  • ·scumbling
  • ·chiaroscuro
  • ·dry brushing

common pitfalls

  • →Overworking the brick texture, resulting in a flat and lifeless appearance.
  • →Failing to capture the subtle variations in color and value, leading to a monotonous painting.
  • →Ignoring the effect of light on the surfaces, resulting in a lack of depth and dimension.
  • →Making the edges too sharp, which can make the painting look harsh and unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium yellow oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to help create a more convincing brick texture. Consider toning the canvas with a thin wash of burnt umber before starting to paint.

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oil painting for beginners →how to learn by studying the masters →
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