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Windows I by Joseph Lorusso

plate no. 9112

Windows I

Joseph Lorusso

oilContemporary Realismcityscapewindowbrick wallarchitectureshadowlight
some experience helpful

Recreating this painting will help students develop skills in depicting light and shadow on textured surfaces, as well as creating depth through subtle color variations. It's a good exercise in understanding how light interacts with form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the window and the brick wall, paying attention to proportions.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes.

  3. step 03

    Begin building up the texture of the brick wall with short, broken brushstrokes, varying the color slightly to create interest.

  4. step 04

    Carefully paint the window frame, paying attention to the subtle variations in color and value.

  5. step 05

    Add the details of the window panes, using a fine brush to create crisp lines.

  6. step 06

    Refine the shadows and highlights, adding depth and dimension to the painting.

  7. step 07

    Add final details to the brickwork and window frame.

  8. step 08

    Step back and make any necessary adjustments to the overall composition and color balance.

color palette

primary · burnt sienna · raw umber · titanium white

secondary · ultramarine blue · cadmium red light

Mix burnt sienna and raw umber for the base brick color, adding white to lighten and ultramarine blue to darken. Use cadmium red light to add warmth to the highlights.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Overblending, which can flatten the texture of the brick wall.
  • →Ignoring the subtle variations in color and value, which can make the painting look monotonous.
  • →Getting the proportions of the window wrong, which can throw off the entire composition.
  • →Not paying enough attention to the edges, which can make the painting look unfinished.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x12 or similar)
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·assorted brushes (round and flat)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

A smooth canvas will work best for this painting. Consider toning the canvas with a thin wash of raw umber before starting.

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oil painting for beginners →how to learn by studying the masters →
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