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home·artworks·Wild geese at Miho, Kiyomi Temple, Suruga, Yoshiwara
Wild geese at Miho, Kiyomi Temple, Suruga, Yoshiwara by Utagawa Toyokuni II

plate no. 6998

Wild geese at Miho, Kiyomi Temple, Suruga, Yoshiwara

Utagawa Toyokuni II, 1830

oilUkiyo-elandscapemountainswaterboatstreesfiguressky
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to simplify complex landscapes into basic shapes. It will also develop skills in color mixing to achieve subtle tonal variations.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, water, and landmasses, paying attention to the overall composition.

  2. step 02

    Establish the horizon line and the relative sizes of the elements.

  3. step 03

    Apply a base layer of color to the sky, blending from yellow to light blue.

  4. step 04

    Paint the water with varying shades of blue, creating depth with darker tones in the foreground.

  5. step 05

    Add the mountain range in the background, using muted colors to suggest distance.

  6. step 06

    Paint the landmasses with dark greens and browns, adding details like trees and buildings.

  7. step 07

    Add the boats in the foreground, paying attention to their reflections in the water.

  8. step 08

    Include the figures on the path and the flock of birds in the sky as final details.

color palette

primary · Prussian blue · Yellow ochre · Burnt umber

secondary · Titanium white · Vermillion

Mix Prussian blue with white for the sky and water. Use yellow ochre and burnt umber for the land and mountains. Add a touch of vermillion to the mountains for warmth.

techniques

  • ·Layering
  • ·Blending
  • ·Simplification
  • ·Atmospheric perspective
  • ·Linear perspective

common pitfalls

  • →Overcomplicating the details in the landscape.
  • →Using colors that are too saturated, losing the atmospheric effect.
  • →Ignoring the perspective, making the elements appear flat.
  • →Not establishing a clear focal point.

materials

surface · Stretched canvas

required

  • ·Stretched canvas
  • ·Acrylic paints
  • ·Round brushes (#2, #6)
  • ·Flat brush (#8)
  • ·Palette
  • ·Water container
  • ·Paper towels
  • ·Pencil

optional

  • ·Palette knife
  • ·Retarder medium
  • ·Easel

Use a canvas size appropriate for the level of detail you want to achieve. Acrylics are recommended for their fast drying time.

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oil painting for beginners →how to learn by studying the masters →
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