apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·White Walls
White Walls by Istvan Ilosvai Varga

plate no. 6476

White Walls

Istvan Ilosvai Varga, 1939

oilPost-Impressionismcityscapebuildingsarchitecturewallsroofcityscapedoor
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow with a limited palette and creating texture with visible brushstrokes. It's also a good exercise in simplifying complex architectural forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the buildings and the pole.

  2. step 02

    Block in the main areas of color using thin washes, focusing on the overall value structure.

  3. step 03

    Start building up layers of paint, gradually adding more detail and texture.

  4. step 04

    Use thicker paint and visible brushstrokes to define the edges of the buildings and create a sense of depth.

  5. step 05

    Pay attention to the subtle variations in color and value within each area.

  6. step 06

    Add the darkest darks and lightest lights to create contrast and visual interest.

  7. step 07

    Refine the details of the roof, door, and other architectural elements.

  8. step 08

    Add final touches and highlights to complete the painting.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · ivory black · yellow ochre

Mix white with raw umber and burnt sienna to create various shades of beige and brown. Use small amounts of black to darken the shadows. Yellow ochre can be used to warm up the lighter tones.

techniques

  • ·dry brushing
  • ·scumbling
  • ·broken color
  • ·limited palette
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting the proportions of the buildings wrong.
  • →Using too much detail and creating a cluttered composition.
  • →Not paying attention to the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

A toned canvas (e.g., with a thin wash of raw umber) can be helpful for establishing the overall value structure.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov