apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·White Houses
White Houses by Pierre Daura

plate no. 1620

White Houses

Pierre Daura, 1935

oilPost-Impressionismlandscapehousestreeslandscapeskyfieldfence
some experience helpful

Recreating this painting will help students practice layering colors and creating depth with simplified forms. It's a good exercise in capturing the essence of a scene rather than precise detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the houses, trees, and field, focusing on proportions and placement.

  2. step 02

    Block in the sky with a light, muted gray-blue.

  3. step 03

    Apply a base layer of yellow-ochre to the field, varying the tone slightly.

  4. step 04

    Add the darker tones to the foreground to create depth.

  5. step 05

    Paint the houses with a mix of white, gray, and subtle hints of color, paying attention to the light and shadow.

  6. step 06

    Add the trees and branches using thin, varied brushstrokes.

  7. step 07

    Define the fence with vertical strokes of brown and gray.

  8. step 08

    Refine details and adjust colors as needed to create a cohesive and atmospheric effect.

color palette

primary · yellow ochre · titanium white · raw umber

secondary · cerulean blue · sap green · burnt sienna

Mix the whites with small amounts of other colors to create subtle grays and off-whites for the houses and sky. Use yellow ochre and raw umber for the field, adding touches of burnt sienna for warmth. Muted greens are achieved by mixing sap green with raw umber.

techniques

  • ·dry brush
  • ·layering
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Making the colors too saturated and not capturing the muted tones of the scene.
  • →Failing to create depth in the field and background.
  • →Not varying the brushstrokes enough to create texture and interest.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (#2, #4)
  • ·flat brushes (#6, #8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)
  • ·mineral spirits or turpentine (for cleaning)

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-textured canvas to enhance the brushstrokes. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov