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home·artworks·Where Do We Come From? What Are We? Where Are We Going?
Where Do We Come From? What Are We? Where Are We Going? by Paul Gauguin

plate no. 3381

Where Do We Come From? What Are We? Where Are We Going?

Paul Gauguin, 1898

oilPost-Impressionismgenre paintingfigureslandscapeanimalstropicalseated womenbird
experienced study

Students would develop skills in figure painting, color temperature relationships, and Post-Impressionist color theory through working with simplified forms and expressive rather than naturalistic color choices.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a detailed drawing establishing the composition and figure placement

  2. step 02

    Block in the major color areas with flat tones, focusing on the warm figure tones

  3. step 03

    Establish the background landscape with cooler blues and greens

  4. step 04

    Define the white elements (clouds, bird) as negative shapes within the composition

  5. step 05

    Develop the skin tones using warm ochres and oranges with cooler shadow areas

  6. step 06

    Add the blue drapery and other accent colors

  7. step 07

    Refine facial features and hands with careful observation

  8. step 08

    Final adjustments to color relationships and edge quality

color palette

primary · raw sienna · cadmium orange · prussian blue · titanium white

secondary · burnt umber · yellow ochre · ultramarine blue · ivory black

Mix warm skin tones by combining raw sienna with cadmium orange and white; create cooler shadow tones by adding small amounts of blue or purple

techniques

  • ·color temperature contrast
  • ·simplified form modeling
  • ·flat color application
  • ·expressive color choices
  • ·figure drawing

common pitfalls

  • →overworking the brushstrokes
  • →making colors too naturalistic
  • →losing the flat decorative quality
  • →poor figure proportions

materials

surface · primed canvas, medium texture

required

  • ·oil paints in primary palette
  • ·#6 flat brush
  • ·#4 flat brush
  • ·#2 round brush
  • ·canvas 18x24 or larger
  • ·palette knife
  • ·odorless mineral spirits
  • ·painting medium

optional

  • ·fan brush for texture
  • ·#8 flat brush
  • ·varnish
  • ·easel

Post-Impressionist style works well on canvas with some tooth to hold the paint application

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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