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home·artworks·Wheatfield with Crows
Wheatfield with Crows by Vincent van Gogh

plate no. 2086

Wheatfield with Crows

Vincent van Gogh, 1890

oilPost-Impressionismlandscapewheatfieldcrowsskycloudspathlandscape

From the record

Dimensions
50.2 cm high × 103 cm wide
Institution
Van Gogh Museum
Location
Van Gogh Museum
Inception
1890
Materials
oil paint, canvas
Movement
Post-impressionism
  • field
  • raven
  • sky

Wikipedia article · Wikidata item Q634122

from the sources

  • The Van Gogh Museum's version of Wheatfield with Crows was painted in July 1890, in the last weeks of Van Gogh's life. en.wikipedia.org

    “The Van Gogh Museum's Wheatfield with Crows was painted in July 1890, in the last weeks of Van Gogh's life.”

  • Letter evidence suggests the painting was completed around 10 July 1890. en.wikipedia.org

    “The evidence of his letters suggests that Wheatfield with Crows was completed around 10 July and predates such paintings as Auvers Town Hall on 14 July 1890 and Daubigny's Garden.”

  • The painting is not Van Gogh's final work; Tree Roots is considered his last painting. en.wikipedia.org

    “His final painting in actuality was Tree Roots.”

  • The painting was made on a double-square canvas and shows a cloudy sky filled with crows over a wheat field. en.wikipedia.org

    “Wheat Field with Crows, made on a double-square canvas, depicts a dramatic, cloudy sky filled with crows over a wheat field.”

  • Van Gogh used elongated double-square canvases exclusively in the last weeks of his life, in June and July 1890. en.wikipedia.org

    “These painting are all examples of Van Gogh's elongated double-square canvases, used exclusively by him in the last few weeks of his life, in June and July 1890.”

  • The painting was stolen in 1991 along with 19 other Van Gogh paintings, quickly recovered, and severely damaged during the theft. en.wikipedia.org

    “Wheatfield with Crows was stolen and quickly recovered in 1991 along with 19 other Van Gogh paintings; the painting was "severely damaged" during the heist.”

  • The Van Gogh Museum describes the work as oil on canvas measuring 50.5 cm by 103 cm, made in Auvers-sur-Oise in July 1890. vangoghmuseum.nl

    “olieverf op doek, 50.5 cm x 103 cm”

  • The Van Gogh Museum calls the idea that this was Van Gogh's last work a persistent myth, noting he made several other works afterwards. vangoghmuseum.nl

    “Dit is echter een hardnekkige mythe. Na dit schilderij maakte hij nog verschillende andere werken.”

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition with three main areas: sky, wheat field, and foreground paths

  2. step 02

    Block in the sky with broad horizontal strokes using various blues mixed with white

  3. step 03

    Paint the wheat field using vertical and diagonal strokes with cadmium yellow and yellow ochre

  4. step 04

    Add the winding paths using earth tones with curved, following brushstrokes

  5. step 05

    Layer additional texture in the wheat using impasto technique with lighter yellows

  6. step 06

    Paint the dramatic clouds with swirling white and light blue strokes

  7. step 07

    Add the crows with quick, confident black marks

  8. step 08

    Final details and color adjustments to enhance movement and drama

color palette

primary · ultramarine blue · cadmium yellow · yellow ochre · titanium white

secondary · burnt sienna · raw umber · ivory black · cadmium orange

Mix various blues with white for sky variations, blend yellows with small amounts of orange and brown for wheat tones, use earth tones mixed with yellows for the paths

techniques

  • ·impasto application
  • ·directional brushstrokes
  • ·wet-on-wet blending
  • ·expressive mark-making
  • ·color temperature contrast

common pitfalls

  • →overworking the paint and losing texture
  • →making brushstrokes too uniform
  • →not varying the pressure and direction
  • →muddying colors by overmixing

materials

surface · primed canvas or canvas board

required

  • ·#6 and #10 flat bristle brushes
  • ·#4 filbert brush
  • ·palette knife
  • ·ultramarine blue oil paint
  • ·cadmium yellow oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·canvas 16x20 or larger

optional

  • ·#12 flat brush for large areas
  • ·painting medium for workability
  • ·turpentine for cleaning
  • ·stay-wet palette

Use quality bristle brushes to achieve the characteristic textural strokes - avoid soft brushes that won't create the desired impasto effect

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related guides

oil painting for beginners →color theory for painters →paint like van gogh →how to learn by studying the masters →
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