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home·artworks·West Church, Boston (also known as Red School House, Boston or West Church at Cambridge and Lynde Streets)
West Church, Boston (also known as Red School House, Boston or West Church at Cambridge and Lynde Streets) by Maurice Prendergast

plate no. 0912

West Church, Boston (also known as Red School House, Boston or West Church at Cambridge and Lynde Streets)

Maurice Prendergast, 1901

pencil, watercolor, paperPost-Impressionismgenre paintingbuildingtreesfiguresfountainparkautumn
some experience helpful

Recreating this painting will help students develop skills in layering watercolor washes and creating a sense of depth through atmospheric perspective. It also encourages loose, expressive brushwork to capture the scene's energy.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main elements: building, trees, fountain, and figures.

  2. step 02

    Apply a light wash of diluted yellow ochre and burnt sienna to the sky and building.

  3. step 03

    Add a slightly darker wash of burnt umber and raw sienna to the trees and ground.

  4. step 04

    Begin layering washes to define the building's details, using red and brown variations.

  5. step 05

    Paint the blue doors and windows with a mix of cerulean blue and ultramarine.

  6. step 06

    Add details to the trees with short, broken strokes of yellow, orange, and brown.

  7. step 07

    Paint the figures with quick, impressionistic strokes, using a variety of colors for clothing.

  8. step 08

    Add final details like the fountain spray with white and light blue, and refine the foreground brickwork.

color palette

primary · burnt sienna · yellow ochre · cerulean blue

secondary · raw sienna · ultramarine blue · white

Achieve the brick color by mixing burnt sienna with a touch of red. Create the foliage colors by mixing yellow ochre with burnt sienna and a hint of green. Vary the blues with ultramarine to create depth.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·layering washes
  • ·broken color
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Using too much water and creating muddy colors.
  • →Failing to create depth with varying color saturation.
  • →Not simplifying the figures and making them too detailed.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper 140lb
  • ·round brushes (various sizes)
  • ·flat brush
  • ·palette
  • ·water container
  • ·pencil
  • ·kneaded eraser

optional

  • ·masking fluid
  • ·palette knife
  • ·ruler

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve varying levels of detail.

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related guides

watercolor techniques →how to draw →color theory for painters →how to learn by studying the masters →
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