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home·artworks·We Should All Be Famous
We Should All Be Famous by Joseph Lorusso

plate no. 9435

We Should All Be Famous

Joseph Lorusso

oilContemporary Realismgenre paintingfigurescrowdpaparazzicamerascelebritypress
experienced study

Recreating this painting will help students develop skills in portraiture, capturing likenesses, and rendering complex compositions with multiple figures. It also provides practice in creating depth and atmosphere through subtle value and color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and placement of figures and cameras.

  2. step 02

    Block in the main shapes and values using a limited palette of browns and blacks.

  3. step 03

    Develop the skin tones by mixing various shades of ochre, sienna, and white.

  4. step 04

    Add details to the faces, paying close attention to the light and shadow.

  5. step 05

    Render the clothing and accessories, focusing on the textures and folds.

  6. step 06

    Paint the cameras and other props, capturing their metallic sheen.

  7. step 07

    Refine the background, creating a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue

Achieve skin tones by mixing white with small amounts of yellow ochre, burnt sienna, and cadmium red. Use ultramarine blue and burnt umber to create neutral grays and blacks.

techniques

  • ·portraiture
  • ·value studies
  • ·layering
  • ·glazing
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of the figures
  • →Overly saturated colors
  • →Lack of depth and atmosphere
  • →Poor rendering of the metallic surfaces

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, raw sienna, ivory black, titanium white, yellow ochre, cadmium red light, ultramarine blue)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve its flow.

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