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home·artworks·Waterfall at Jajce
Waterfall at Jajce by Tivadar Kosztka Csontvary

plate no. 0680

Waterfall at Jajce

Tivadar Kosztka Csontvary, 1903

oilPost-Impressionismlandscapewaterfallbuildingstownhillsskytrees
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding atmospheric perspective to depict distance. It will also help with understanding how to represent the movement of water.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the waterfall, town, and horizon line.

  2. step 02

    Block in the main areas of color: sky, hills, buildings, water, and rocks.

  3. step 03

    Start layering darker tones to create shadows and depth in the hills and buildings.

  4. step 04

    Begin defining the shapes of the waterfall with white and light gray tones, suggesting movement.

  5. step 05

    Add details to the town, such as windows and roofs, using small brushstrokes.

  6. step 06

    Refine the water's surface with horizontal strokes and reflections.

  7. step 07

    Add highlights to the waterfall and rocks to create contrast.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · sap green · cadmium red

Mix white with blue and a touch of umber for the sky. Use umber and green for the hills, varying the proportions for different shades. Mix white with small amounts of blue and green for the water.

techniques

  • ·dry brushing
  • ·layering
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details in the town, losing the overall impression.
  • →Making the waterfall too uniform, failing to capture the movement of water.
  • →Not creating enough contrast between light and shadow.
  • →Failing to establish depth with atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (small, medium, large)
  • ·flat brushes (small, medium)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a medium-textured canvas to help create the broken color effect. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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