apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Washerwomen at the Well
Washerwomen at the Well by Carl Spitzweg

plate no. 4795

Washerwomen at the Well

Carl Spitzweg

oil, canvasBiedermeiergenre paintingfiguresarchitecturebuildingsstreet scenelaundrywell
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a complex environment with varied lighting, and in creating depth through atmospheric perspective and value control.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the main architectural elements and figure placement.

  2. step 02

    Block in the large areas of light and shadow using thin washes of color.

  3. step 03

    Develop the architectural details, focusing on the texture and form of the buildings.

  4. step 04

    Refine the figures, paying attention to their poses and interactions.

  5. step 05

    Add details to the laundry and other objects to create visual interest.

  6. step 06

    Adjust the values and colors to create a sense of depth and atmosphere.

  7. step 07

    Add highlights and final details to bring the painting to life.

  8. step 08

    Step back and make final adjustments to the overall composition and balance.

color palette

primary · raw umber · burnt sienna · ivory black

secondary · ultramarine blue · yellow ochre · titanium white

Achieve the warm, earthy tones by mixing raw umber and burnt sienna. Use ultramarine blue and white to create the cooler tones in the sky and shadows. Add small amounts of yellow ochre to warm up the highlights.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking details too early.
  • →Failing to establish a strong value structure.
  • →Ignoring the effects of atmospheric perspective.
  • →Using colors that are too saturated.
  • →Losing the sense of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-textured canvas to allow for both smooth blending and textured brushwork. Consider using a toned canvas to speed up the underpainting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Samuel Aba

Samuel Aba

Josef Kriehuber

Not Married

Not Married

Charles Spencelayh

Maid with a Letter

Maid with a Letter

Peter Fendi

The Broken Leg

The Broken Leg

Charles Spencelayh

Arts and Science

Arts and Science

Carl Spitzweg

Antonio Tamburini, Italian Baritone

Antonio Tamburini, Italian Baritone

Josef Kriehuber

Lady portrait

Lady portrait

Peter Fendi

Resting on the Vine

Resting on the Vine

Carl Spitzweg