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home·artworks·Walls of Monemvasia
Walls of Monemvasia by Konstantinos Maleas

plate no. 8164

Walls of Monemvasia

Konstantinos Maleas, 1928

oilPost-Impressionismlandscapebuildingstreeslandscapearchitecturemountainscourtyard
some experience helpful

Recreating this painting will help students develop skills in simplifying complex forms into basic shapes and understanding atmospheric perspective through color and value changes. It also provides practice in creating a sense of depth using overlapping shapes and varying levels of detail.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, trees, and mountains, paying attention to their relative sizes and positions.

  2. step 02

    Block in the main color areas with thin washes, starting with the sky and distant mountains.

  3. step 03

    Develop the colors of the buildings, using a limited palette of yellows, browns, and whites.

  4. step 04

    Add the darker tones to create shadows and define the forms of the buildings and trees.

  5. step 05

    Paint the trees, focusing on the overall shape and texture rather than individual leaves.

  6. step 06

    Refine the details of the buildings, such as windows and doors, using small brushstrokes.

  7. step 07

    Add the details of the courtyard, including the well and the ground texture.

  8. step 08

    Make final adjustments to the colors and values to create a sense of depth and atmosphere.

color palette

primary · yellow ochre · raw umber · titanium white

secondary · viridian green · burnt sienna

Mix various shades of yellow ochre and white for the buildings. Use raw umber and burnt sienna for the mountains and tree trunks. Mix viridian green and raw umber for the tree foliage.

techniques

  • ·color blocking
  • ·atmospheric perspective
  • ·simplified forms
  • ·layering
  • ·dry brushing

common pitfalls

  • →Overcomplicating the details of the buildings.
  • →Using too many colors.
  • →Failing to create a sense of depth.
  • →Ignoring the overall composition.
  • →Making the colors too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·viridian green oil paint
  • ·burnt sienna oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to allow for some visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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