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Waiting by Minas Avetisyan

plate no. 7758

Waiting

Minas Avetisyan

oilPost-Impressionismgenre paintingfigurewindowinteriorscarfchair
some experience helpful

Recreating this painting will help students develop skills in loose, expressive brushwork and capturing light and shadow with simplified forms. It's also a good exercise in color mixing and creating a sense of atmosphere.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: figure, window, and background.

  2. step 02

    Block in the large areas of color using thin washes.

  3. step 03

    Start building up layers of paint, focusing on the light and shadow patterns.

  4. step 04

    Use thicker paint and more visible brushstrokes to define the figure and window.

  5. step 05

    Add details to the figure's clothing and the window's reflection.

  6. step 06

    Refine the edges and shapes, but keep the overall feeling loose and expressive.

  7. step 07

    Add final highlights and shadows to create depth.

  8. step 08

    Step back and adjust the composition as needed.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · sap green · cadmium red light

Mix muted greens by combining yellow ochre and ultramarine blue. Use white to lighten colors and create subtle variations in tone. Mix browns from ultramarine and burnt umber.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·color temperature

common pitfalls

  • →Overworking the painting and losing the loose, expressive quality.
  • →Making the colors too saturated.
  • →Ignoring the underlying structure of the forms.
  • →Getting lost in details too early.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·round brushes sizes 4, 6, 8
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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