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home·artworks·Vivien St George
Vivien St George by William Orpen

plate no. 7837

Vivien St George

William Orpen, 1918

oilPost-Impressionismportraitportraitfiguredressgirlhairheadscarf
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to create depth and form using light and shadow.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, paying attention to the pose and composition.

  2. step 02

    Block in the large areas of color, starting with the background and then moving to the dress and skin.

  3. step 03

    Establish the light and shadow patterns on the figure, using darker tones for shadows and lighter tones for highlights.

  4. step 04

    Begin to refine the details of the face, including the eyes, nose, and mouth.

  5. step 05

    Add details to the dress, such as the folds and wrinkles, and the lace on the headscarf.

  6. step 06

    Work on the hair, creating volume and texture with loose brushstrokes.

  7. step 07

    Refine the overall painting, adjusting colors and values as needed to create a sense of depth and realism.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · yellow ochre · ivory black · burnt sienna

secondary · ultramarine blue · titanium white · cadmium yellow

Mix various yellows with white and a touch of blue or brown to achieve the dress's color variations. Use burnt sienna and white for the skin tones, adding small amounts of red or yellow for warmth. The background is mostly black with subtle variations of brown and blue.

techniques

  • ·blocking in
  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details and losing the overall sense of form.
  • →Not creating enough contrast between light and shadow.
  • →Using colors that are too saturated or unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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