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home·artworks·Virgin and Child Enthroned with Twelve Angels
Virgin and Child Enthroned with Twelve Angels by Fra Angelico

plate no. 4648

Virgin and Child Enthroned with Twelve Angels

Fra Angelico, 1430

panel, temperaEarly Renaissancereligious paintingVirgin MaryChildAngelsThroneBuildingReligious
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through layering and subtle color variations. It also provides practice in creating a balanced composition with a clear focal point.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare the surface with a gesso layer and let it dry completely.

  2. step 02

    Create a light sketch of the overall composition, focusing on the placement of the figures and the throne.

  3. step 03

    Block in the main shapes and colors of the background, throne, and figures with thin washes of tempera paint.

  4. step 04

    Begin layering the colors, starting with the darkest values and gradually adding highlights.

  5. step 05

    Pay close attention to the drapery folds and use subtle color variations to create a sense of volume.

  6. step 06

    Add details to the faces, hands, and halos, using fine brushes.

  7. step 07

    Refine the architectural details of the throne and the building in the background.

  8. step 08

    Apply a final layer of varnish to protect the painting and enhance the colors.

color palette

primary · Ultramarine Blue · Gold · Red Ochre

secondary · White · Yellow Ochre · Pink

Mix ultramarine with white to create the various shades of blue for Mary's robe. Use gold leaf or metallic paint for the halos and background. Mix red ochre with white and a touch of yellow to achieve the skin tones.

techniques

  • ·Layering
  • ·Glazing
  • ·Dry Brushing
  • ·Blending
  • ·Figure Drawing

common pitfalls

  • →Overworking the details too early
  • →Using colors that are too saturated
  • →Ignoring the subtle value changes
  • →Incorrect proportions of the figures

materials

surface · Gessoed wood panel

required

  • ·Tempera paints
  • ·Gessoed panel
  • ·Fine brushes (various sizes)
  • ·Palette
  • ·Water
  • ·Soft Cloth
  • ·Gold Leaf or Metallic Paint

optional

  • ·Palette knife
  • ·Varnish
  • ·Tracing paper

Tempera paints dry quickly, so work in small sections and keep your brushes clean. Consider using egg tempera for a more traditional approach.

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