apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Village Landscape
Village Landscape by Margit Selska

plate no. 9843

Village Landscape

Margit Selska, 1961

oilPost-Impressionismlandscapemountainsvillagebuildingsfencelandscapetrees
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and practicing visible brushstrokes to add texture. It also provides practice in simplifying complex scenes into basic shapes and forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, buildings, and fence.

  2. step 02

    Establish the background colors of the sky and mountains with broad strokes.

  3. step 03

    Block in the general colors of the village buildings and surrounding landscape.

  4. step 04

    Begin layering colors to define the shapes and add depth to the mountains and trees.

  5. step 05

    Add details to the buildings, such as the roof lines and windows, using thicker paint.

  6. step 06

    Paint the fence in the foreground, paying attention to the perspective and color variations.

  7. step 07

    Refine the details and add highlights to create a sense of light and shadow.

  8. step 08

    Add final touches and adjust colors as needed to achieve the desired effect.

color palette

primary · ultramarine blue · burnt sienna · yellow ochre

secondary · sap green · cadmium red · titanium white

Mix blues and whites for the sky and mountains, adding touches of green and brown for variation. Use yellow ochre and burnt sienna for the foreground, mixing with green for the grass. Create the building colors by mixing reds, blues, and browns.

techniques

  • ·layering
  • ·dry brushing
  • ·color mixing
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details too early
  • →Creating mud by over-mixing colors
  • →Ignoring the perspective of the fence
  • →Not creating enough variation in the color of the mountains

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·sap green oil paint
  • ·cadmium red oil paint
  • ·titanium white oil paint
  • ·assorted brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·painting medium
  • ·easel

Use a medium-textured canvas to enhance the brushstroke visibility. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov