apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Village
Village by Ivan Generalić

plate no. 7354

Village

Ivan Generalić, 1954

oilNaïve Art (Primitivism)landscapevillagewintersnowbuildingstreeschickens
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and painting realistic textures like wood and snow. It also provides practice in depicting atmospheric perspective and creating a sense of place.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, trees, and other elements, paying attention to perspective.

  2. step 02

    Block in the sky with a gradient of dark grays and oranges, blending smoothly.

  3. step 03

    Establish the base colors for the buildings, using browns and grays.

  4. step 04

    Add the snow on the roofs and ground, using white mixed with small amounts of blue and gray to create shadows.

  5. step 05

    Paint the trees, focusing on the intricate branching patterns.

  6. step 06

    Add details to the buildings, such as windows, doors, and textures.

  7. step 07

    Paint the chickens, using a variety of browns, reds, and yellows.

  8. step 08

    Add final details and highlights to create depth and realism.

color palette

primary · raw umber · titanium white · payne's gray

secondary · cadmium yellow · burnt sienna · ultramarine blue

Mix white with small amounts of blue and gray for snow shadows. Use burnt sienna and cadmium yellow for the chickens. Mix raw umber and payne's gray for the dark buildings.

techniques

  • ·layering
  • ·dry brushing
  • ·atmospheric perspective
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Getting the perspective wrong on the buildings.
  • →Making the snow too flat and uniform.
  • →Overworking the details and losing the overall impression.
  • →Not creating enough contrast between light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or odorless thinner (for oil paints)

optional

  • ·easel
  • ·medium (for glazing)
  • ·retarder

Use a medium-grain canvas for best results. Acrylics will dry faster, while oils allow for more blending time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Shepherd and his Lover

Shepherd and his Lover

Bertalan Por

The sketch to the movie "Colour of Pomegranate". "Muse"

The sketch to the movie "Colour of Pomegranate". "Muse"

Sergei Parajanov

Surprised!

Surprised!

Henri Rousseau

Holy Mountain I

Holy Mountain I

Horace Pippin

Gibraltar

Gibraltar

Alfred Wallis

Willage. Horse Taming

Willage. Horse Taming

Victor Palmov

Old Corn Mill, Keighley

Old Corn Mill, Keighley

John Bradley

Winter Still Life with Candle

Winter Still Life with Candle

Mary Fedden