apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Vilarejo com Marinha
Vilarejo com Marinha by Mario Zanini

plate no. 3905

Vilarejo com Marinha

Mario Zanini

oilPost-Impressionismgenre paintingbuildingsfigurestreesskywaterboats
some experience helpful

This painting provides practice in simplifying complex scenes into basic shapes and using a limited palette to create a cohesive atmosphere. Students will learn to suggest details rather than rendering them precisely.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, trees, and figures, focusing on their relative sizes and positions.

  2. step 02

    Establish the horizon line and the waterline of the boat.

  3. step 03

    Block in the large areas of color: sky, water, ground, buildings, and trees.

  4. step 04

    Refine the shapes of the buildings and add details like windows and doors.

  5. step 05

    Add the figures, simplifying their forms and using quick brushstrokes.

  6. step 06

    Develop the foliage of the trees with varied greens and browns.

  7. step 07

    Add details to the boat and the distant shoreline.

  8. step 08

    Adjust values and colors to create depth and atmosphere.

color palette

primary · yellow ochre · sap green · titanium white · raw umber

secondary · burnt sienna · ultramarine blue · cadmium yellow light

Mix greens by combining yellow ochre, sap green, and a touch of ultramarine blue. Achieve the building's color by mixing sap green with white and a touch of yellow ochre. Use burnt sienna and raw umber for the roof and darker areas.

techniques

  • ·blocking in
  • ·scumbling
  • ·dry brushing
  • ·simplification
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Using colors that are too saturated.
  • →Failing to establish a clear focal point.
  • →Making the figures too detailed and distracting.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·acrylic or oil paints
  • ·round brush #4
  • ·flat brush #8
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or odorless thinner (for cleaning)

optional

  • ·easel
  • ·medium gloss
  • ·rags

A slightly textured canvas will enhance the brushwork. Use a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov