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home·artworks·View Towards Balcic
View Towards Balcic by Adam Baltatu

plate no. 5302

View Towards Balcic

Adam Baltatu

oilPost-Impressionismlandscapevillagehillsbuildingsskytreeslandscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and using visible brushstrokes to add texture. It's also a good exercise in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, hills, and sky, focusing on the overall composition.

  2. step 02

    Block in the main color areas with thin washes, starting with the sky and hills.

  3. step 03

    Add darker values to define the shadows and create depth in the landscape.

  4. step 04

    Layer in the colors of the buildings, using a mix of warm and cool tones.

  5. step 05

    Paint the trees and foliage with short, broken brushstrokes to create texture.

  6. step 06

    Refine the details of the buildings and add highlights to create a sense of light.

  7. step 07

    Add final touches and adjust values as needed to create a cohesive composition.

  8. step 08

    Sign your painting.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · ultramarine blue · cadmium red · yellow ochre

Mix raw umber and white for the hills. Use burnt sienna and cadmium red for the roof tiles. Add ultramarine blue to raw umber for the darker greens.

techniques

  • ·dry brush texture
  • ·broken color
  • ·layering
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Using too much detail in the background, which can flatten the composition.
  • →Not paying attention to the values, which can make the painting look muddy.
  • →Making the colors too saturated, which can detract from the naturalistic look.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·round brushes #4 and #8

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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