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home·artworks·View over Wilder's Square, Christianshavn
View over Wilder's Square, Christianshavn by Edvard Weie

plate no. 6704

View over Wilder's Square, Christianshavn

Edvard Weie, 1906

oilPost-Impressionismcityscapebuildingswaterboatscityscapeskyrooftops
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations and learn to simplify complex scenes into basic shapes. It's a good exercise in capturing light and shadow in an urban landscape.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on the buildings and water.

  2. step 02

    Block in the large areas of color for the sky, water, and buildings using thin washes.

  3. step 03

    Start building up layers of color, focusing on the light and shadow on the buildings.

  4. step 04

    Mix colors to match the subtle variations in the rooftops and walls.

  5. step 05

    Add details like the boats and reflections in the water.

  6. step 06

    Refine the brushstrokes to create texture and visual interest.

  7. step 07

    Pay attention to the edges of shapes, softening some and sharpening others.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue · titanium white

secondary · cadmium red · raw umber · viridian

Mix various combinations of yellow ochre, burnt sienna, and white for the building facades. Use ultramarine blue and white for the sky, adding touches of yellow ochre for warmth. Mix burnt sienna and cadmium red for the rooftops.

techniques

  • ·blocking in
  • ·layering
  • ·dry brushing
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Using colors straight from the tube without mixing.
  • →Not paying attention to the values (light and dark).
  • →Making the brushstrokes too uniform.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (yellow ochre, burnt sienna, ultramarine blue, titanium white, cadmium red, raw umber)
  • ·Round brushes (#2, #4, #6)
  • ·Flat brushes (#6, #8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·medium (e.g., Liquin)
  • ·varnish

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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