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home·artworks·View over Grimand
View over Grimand by Henri Manguin

plate no. 8418

View over Grimand

Henri Manguin, 1920

oilPost-Impressionismlandscapetreesbuildingwaterlandscapeskyfigure
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as capturing the impression of light and atmosphere in a landscape. It also encourages simplification of forms and expressive brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: the building, trees, water, and mountains.

  2. step 02

    Block in the large areas of color: the sky, water, building walls, and foliage, using thin washes.

  3. step 03

    Start building up layers of color, focusing on capturing the variations in light and shadow.

  4. step 04

    Define the shapes of the trees and foliage with expressive brushstrokes, using a variety of greens and blues.

  5. step 05

    Add details to the building, such as windows and roof tiles, using small, precise strokes.

  6. step 06

    Refine the details in the water and sky, paying attention to the subtle color changes.

  7. step 07

    Add the figure in the foreground, keeping it simple and suggestive.

  8. step 08

    Make final adjustments to the colors and values to create a sense of harmony and balance.

color palette

primary · cerulean blue · sap green · rose madder · yellow ochre

secondary · ultramarine blue · cadmium yellow · burnt sienna

Mix greens by combining blues and yellows, and vary the hues by adding touches of red or brown. Achieve the building's color by mixing white with a touch of rose madder and yellow ochre.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·layering
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the freshness of the impressionistic style.
  • →Using colors straight from the tube without mixing them, resulting in a flat and uninteresting palette.
  • →Ignoring the importance of light and shadow, leading to a lack of depth and dimension.
  • →Neglecting the overall composition and creating a cluttered or unbalanced image.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·retouch varnish
  • ·easel
  • ·painting medium

Use good quality oil paints for best results. Pre-toned canvas can help establish color relationships.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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