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home·artworks·View of Vienna, flour market of Southwest seen from northeast
View of Vienna, flour market of Southwest seen from northeast by Bernardo Bellotto

plate no. 3760

View of Vienna, flour market of Southwest seen from northeast

Bernardo Bellotto, 1760

oil, canvasRocococityscapecityscapebuildingsfiguresskystreetmarket
experienced study

Recreating this painting will develop skills in perspective drawing, atmospheric perspective, and rendering details in a complex scene. Students will also learn to mix subtle variations of earth tones to create depth and realism.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main buildings and street layout, paying attention to perspective.

  2. step 02

    Establish the horizon line and vanishing points.

  3. step 03

    Block in the sky with a thin wash of pale blue and gray.

  4. step 04

    Apply a base layer of burnt umber and raw sienna to the buildings and street, establishing the overall tone.

  5. step 05

    Begin adding details to the buildings, using lighter tones for highlights and darker tones for shadows.

  6. step 06

    Paint the figures and carriages in the street, simplifying their forms and focusing on their placement.

  7. step 07

    Add atmospheric perspective by lightening the colors of distant objects.

  8. step 08

    Refine details and add final touches, such as highlights on windows and figures.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · yellow ochre

Achieve the various earth tones by mixing burnt umber and raw sienna in different proportions. Add white to lighten the colors and blue to create cooler grays for the sky and distant buildings.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Getting the perspective wrong, leading to distorted buildings.
  • →Overworking the details, resulting in a stiff and unnatural look.
  • →Failing to create enough atmospheric perspective, making the scene appear flat.
  • →Using colors that are too saturated, which will clash with the muted tones of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Consider using a toned canvas to create a warmer base.

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oil painting for beginners →how to learn by studying the masters →
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