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home·artworks·View of Venice from the Sea
View of Venice from the Sea by Charles Cottet

plate no. 5682

View of Venice from the Sea

Charles Cottet, 1896

oilPost-Impressionismmarinacityscapewaterboatsskybuildingssunset
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve warm, atmospheric tones and practice loose, expressive brushwork to capture the reflections in the water. It also introduces the concept of simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic horizon line and the main shapes of the buildings and boats.

  2. step 02

    Block in the sky with broad strokes of yellow, orange, and brown, blending them loosely.

  3. step 03

    Paint the water with horizontal strokes, using similar colors to the sky but with darker values towards the bottom.

  4. step 04

    Add the silhouettes of the buildings and boats, using a dark brown or black.

  5. step 05

    Introduce the red sails, using a bright red and adding highlights and shadows.

  6. step 06

    Refine the details of the buildings and boats, using small brushstrokes.

  7. step 07

    Add reflections in the water, mirroring the colors and shapes of the objects above.

  8. step 08

    Adjust the overall values and colors to create a sense of atmosphere and depth.

color palette

primary · yellow ochre · burnt sienna · titanium white

secondary · cadmium red · ultramarine blue · raw umber

Achieve the warm tones by mixing yellow ochre and burnt sienna. Use ultramarine blue to darken the browns and create cooler shadows. Add titanium white to lighten the colors and create highlights.

techniques

  • ·wet-on-wet blending
  • ·scumbling
  • ·broken color
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the loose, expressive feel.
  • →Using too much detail in the reflections, making them distracting.
  • →Not creating enough contrast between the sky and the water.
  • →Making the colors too saturated and not achieving the muted, atmospheric effect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·round brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas to allow for texture. Consider using a warm-toned ground to enhance the overall warmth of the painting.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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