apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·View of the Sussex Weald С
View of the Sussex Weald С by C. R. W. Nevinson

plate no. 4555

View of the Sussex Weald С

C. R. W. Nevinson, 1927

oilPost-Impressionismlandscapetreesflowerslandscapewindowvasesky
some experience helpful

Recreating this painting will help students develop skills in depicting atmospheric perspective and creating depth using color and value variations. It also provides practice in rendering delicate floral details and branches.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the window frame, vase, branches, and distant landscape.

  2. step 02

    Establish the background sky and distant hills using thin washes of color.

  3. step 03

    Block in the main shapes of the trees and branches, paying attention to their relative positions and angles.

  4. step 04

    Add the vase, establishing its form and color.

  5. step 05

    Begin adding the white blossoms, focusing on their placement and density.

  6. step 06

    Paint the catkins, using a dry brush technique to create texture.

  7. step 07

    Refine the details of the branches and blossoms, adding highlights and shadows.

  8. step 08

    Add final touches to the window frame and foreground.

color palette

primary · raw umber · titanium white · cerulean blue

secondary · yellow ochre · burnt sienna · sap green

Achieve the muted greens of the landscape by mixing yellow ochre, cerulean blue, and a touch of raw umber. Create the sky by diluting cerulean blue with white. Use burnt sienna and raw umber for the branches and vase.

techniques

  • ·atmospheric perspective
  • ·dry brush
  • ·layering
  • ·color mixing
  • ·rendering delicate details

common pitfalls

  • →Overworking the details
  • →making the colors too saturated
  • →not establishing a clear focal point
  • →incorrect perspective on the window frame

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (for cleaning brushes)

optional

  • ·medium gloss
  • ·easel
  • ·view finder

Use a canvas with a smooth surface for easier blending. Consider using a limited palette of colors to simplify the mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov