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home·artworks·View of the New Market Place in Dresden from the Moritzstrasse
View of the New Market Place in Dresden from the Moritzstrasse by Bernardo Bellotto

plate no. 5168

View of the New Market Place in Dresden from the Moritzstrasse

Bernardo Bellotto, 1751

oil, canvasRocococityscapecityscapebuildingsarchitectureskyfiguresplaza
experienced study

Recreating this painting will help students develop skills in perspective, atmospheric perspective, and rendering architectural details. It also provides practice in depicting figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective lines of the buildings and the placement of the main structures.

  2. step 02

    Block in the sky with a light blue-gray wash, allowing for subtle variations in tone.

  3. step 03

    Establish the basic values of the buildings, using a mix of browns and grays, paying attention to the light and shadow.

  4. step 04

    Add details to the buildings, such as windows, columns, and architectural ornaments, using smaller brushes.

  5. step 05

    Paint the ground plane with a warm brown tone, creating a sense of depth and perspective.

  6. step 06

    Add figures and carts to the plaza, using small brushstrokes and varying colors to create a sense of movement and activity.

  7. step 07

    Refine the details of the sky, buildings, and figures, adding highlights and shadows to create depth and realism.

  8. step 08

    Add final touches, such as subtle atmospheric effects and details in the foreground.

color palette

primary · raw umber · titanium white · Prussian blue

secondary · yellow ochre · burnt sienna · ivory black

Mix raw umber and white for the buildings, adding small amounts of blue or yellow ochre to adjust the tone. Use a mix of Prussian blue and white for the sky, adding a touch of raw umber to create a hazy effect.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·scumbling
  • ·glazing
  • ·rendering architectural details

common pitfalls

  • →Incorrect perspective leading to distorted buildings
  • →Overly saturated colors making the scene look unnatural
  • →Lack of variation in tone creating a flat, lifeless effect
  • →Ignoring atmospheric perspective, making distant objects appear too sharp

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#4 flat brush
  • ·#6 filbert brush
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·Prussian blue oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface is recommended for easier blending.

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