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home·artworks·View of South Hadley
View of South Hadley by Alexander Helwig Wyant

plate no. 2087

View of South Hadley

Alexander Helwig Wyant, 1865

oilTonalismlandscapelandscapetreesrivermountainsskyfoliage
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through subtle color and value changes. Students will also learn to suggest detail rather than rendering every leaf and branch.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, the river, and the major tree groupings.

  2. step 02

    Establish the sky with a light, muted gray-blue wash, blending seamlessly to create soft clouds.

  3. step 03

    Block in the distant mountains and valley with diluted browns and greens, paying attention to atmospheric perspective.

  4. step 04

    Begin layering the foliage in the foreground, using darker greens and browns to create depth and texture.

  5. step 05

    Paint the main tree on the right, focusing on the form and texture of the trunk and branches.

  6. step 06

    Add highlights to the foliage and tree trunk to suggest sunlight.

  7. step 07

    Refine the details of the foreground foliage, adding small touches of color and texture.

  8. step 08

    Add final details and adjust values to create a sense of depth and atmosphere.

color palette

primary · raw umber · titanium white · viridian green

secondary · yellow ochre · burnt sienna · ultramarine blue

Achieve the muted tones by mixing complementary colors and adding white. Use thin washes of color to build up layers and create depth.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·wet-on-dry blending

common pitfalls

  • →Overworking the details in the foreground
  • →Creating too much contrast, losing the atmospheric effect
  • →Using colors that are too saturated
  • →Not establishing a clear value structure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·viridian green oil paint
  • ·#4 round brush
  • ·#6 filbert brush
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a canvas with a smooth texture to facilitate blending. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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