apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·View of L'Estaque
View of L'Estaque by Paul Cezanne

plate no. 2410

View of L'Estaque

Paul Cezanne, 1883

oil, canvasPost-Impressionismlandscapebuildingslandscapetreesseaskyhills
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations and layering brushstrokes to create texture and depth.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of buildings, hills, and the horizon line.

  2. step 02

    Block in the large areas of color, starting with the sky and sea, then the hills and buildings.

  3. step 03

    Begin adding details to the buildings, such as windows and rooflines, using a smaller brush.

  4. step 04

    Develop the foliage by layering different shades of green and brown, using short, broken brushstrokes.

  5. step 05

    Refine the details in the foreground, adding texture to the ground and defining the road.

  6. step 06

    Add highlights and shadows to create depth and dimension, paying attention to the direction of light.

  7. step 07

    Adjust the colors and values as needed to create a harmonious and balanced composition.

  8. step 08

    Add final touches and details to complete the painting.

color palette

primary · yellow ochre · ultramarine blue · burnt sienna

secondary · viridian green · titanium white · cadmium red

Mix yellow ochre and burnt sienna for the warm earth tones. Use ultramarine blue and white for the sky and sea, adding a touch of red for the sea. Mix viridian green with yellow ochre and white for the foliage.

techniques

  • ·broken brushstrokes
  • ·color layering
  • ·scumbling
  • ·optical mixing
  • ·alla prima

common pitfalls

  • →overmixing colors and losing vibrancy
  • →creating flat, lifeless areas
  • →not paying attention to the direction of light
  • →getting bogged down in details too early

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·easel
  • ·painting medium
  • ·varnish
  • ·rags

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov