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home·artworks·View of Lake Leman from Chexbres
View of Lake Leman from Chexbres by Ferdinand Hodler

plate no. 7696

View of Lake Leman from Chexbres

Ferdinand Hodler, 1905

oil, canvasPost-Impressionismlandscapelakeskycloudsmountainstreesgrass
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations in blues and greens, as well as layering techniques to create depth in the landscape. It also offers practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the horizon line, the outline of the mountains, the lake's edge, and the basic shapes of the clouds.

  2. step 02

    Block in the sky with a light blue, gradually adding lighter tones towards the horizon.

  3. step 03

    Paint the lake with a mix of blues and greens, reflecting the sky's colors and adding subtle variations for depth.

  4. step 04

    Establish the mountain range with muted blues and purples, keeping the values lighter than the foreground.

  5. step 05

    Block in the foreground field with a base of yellow ochre and burnt sienna.

  6. step 06

    Add individual strokes of yellow, orange, and green to represent the grass and foliage, varying the direction of the strokes.

  7. step 07

    Paint the trees with dark greens and browns, simplifying their forms and adding highlights.

  8. step 08

    Refine the details of the clouds, adding subtle shadows and highlights to create volume.

color palette

primary · cerulean blue · yellow ochre · titanium white

secondary · burnt sienna · sap green · ultramarine blue

Achieve the sky and lake colors by mixing cerulean blue with white, adding small amounts of yellow ochre or ultramarine blue to adjust the hue. Mix burnt sienna and yellow ochre for the foreground, adding touches of green for variation.

techniques

  • ·layering
  • ·color mixing
  • ·broken color
  • ·scumbling
  • ·simplification

common pitfalls

  • →Overworking the details in the foreground, losing the overall impression.
  • →Creating too much contrast in the sky, making it appear unnatural.
  • →Failing to capture the subtle color variations in the lake.
  • →Making the mountain range too dark, causing it to dominate the composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·cerulean blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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