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home·artworks·View of Galaxidi
View of Galaxidi by Spyros Vassiliou

plate no. 1899

View of Galaxidi

Spyros Vassiliou

oilNaïve Art (Primitivism)marinaseabuildingsmountainsskycloudsreflection
some experience helpful

This painting is great for practicing color mixing to achieve realistic water tones and learning to simplify complex scenes into basic shapes. Students will also develop skills in creating reflections and atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the horizon line, mountain range, and the general placement of the town.

  2. step 02

    Block in the large areas of color: sky, mountains, and water, using thin washes.

  3. step 03

    Add the basic shapes of the buildings, focusing on their placement and proportion.

  4. step 04

    Begin refining the mountain details, adding shadows and highlights to create depth.

  5. step 05

    Develop the reflections in the water, using vertical strokes and slightly desaturated colors.

  6. step 06

    Add details to the buildings, such as windows and roofs, keeping them simple and stylized.

  7. step 07

    Refine the sky and clouds, adding subtle variations in color and value.

  8. step 08

    Add final touches and highlights to the water and buildings.

color palette

primary · ultramarine blue · cerulean blue · raw umber · titanium white

secondary · yellow ochre · burnt sienna · cadmium orange · sap green

Mix blues and white for the sky, adding a touch of yellow ochre for warmth. Create the water by mixing ultramarine blue with white, and a touch of raw umber for depth. Use burnt sienna and yellow ochre for the buildings, and mix greens and browns for the mountains.

techniques

  • ·blocking in
  • ·layering
  • ·dry brushing
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details in the buildings, making them too realistic.
  • →Using colors that are too saturated, resulting in an unnatural look.
  • →Not paying attention to the values, resulting in a flat and lifeless painting.
  • →Making the reflections too perfect and symmetrical.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x24
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·turpentine or odorless mineral spirits (for cleaning brushes)

optional

  • ·easel
  • ·medium gloss
  • ·rags

Use a limited palette to simplify color mixing. Consider using a toned canvas to establish a base color.

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