apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·View of Clerval
View of Clerval by Camille Bombois

plate no. 7914

View of Clerval

Camille Bombois, 1930

oil, canvasNaïve Art (Primitivism)landscapebuildingswatertreesskyreflectionvillage
some experience helpful

Recreating this painting will help students develop skills in rendering reflections and creating depth through layering. It also provides practice in simplifying complex scenes into basic shapes and colors.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, trees, and water line.

  2. step 02

    Block in the sky with a light blue wash.

  3. step 03

    Paint the basic colors of the buildings, focusing on the roof colors and wall tones.

  4. step 04

    Add the dark green of the trees and foliage, varying the shades slightly.

  5. step 05

    Create the water reflection by mirroring the colors and shapes of the buildings and trees, using slightly muted tones.

  6. step 06

    Add details to the buildings, such as windows and doors.

  7. step 07

    Refine the foliage and add highlights to the trees.

  8. step 08

    Add final details to the water, such as ripples and reflections of the foreground plants.

color palette

primary · burnt umber · yellow ochre · cerulean blue · titanium white

secondary · cadmium red · sap green · raw sienna

Mix various shades of brown for the roofs by combining burnt umber, raw sienna, and a touch of red. Create the greens by mixing sap green with yellow ochre and a touch of blue for darker shades. Mute colors for reflections by adding a touch of complementary color or grey.

techniques

  • ·layering
  • ·color mixing
  • ·reflection rendering
  • ·simplification of forms
  • ·atmospheric perspective

common pitfalls

  • →Making the reflections too detailed or sharp.
  • →Using colors that are too saturated.
  • →Overcomplicating the shapes of the buildings.
  • →Ignoring the subtle variations in color and tone.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·acrylic or oil paints
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette
  • ·linseed oil (if using oil paints)
  • ·palette knife

optional

  • ·easel
  • ·medium gloss
  • ·painting varnish

A smooth canvas surface will work best for this style. Consider using a pre-primed canvas to save time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Shepherd and his Lover

Shepherd and his Lover

Bertalan Por

The sketch to the movie "Colour of Pomegranate". "Muse"

The sketch to the movie "Colour of Pomegranate". "Muse"

Sergei Parajanov

Surprised!

Surprised!

Henri Rousseau

Holy Mountain I

Holy Mountain I

Horace Pippin

Gibraltar

Gibraltar

Alfred Wallis

Willage. Horse Taming

Willage. Horse Taming

Victor Palmov

Old Corn Mill, Keighley

Old Corn Mill, Keighley

John Bradley

Winter Still Life with Candle

Winter Still Life with Candle

Mary Fedden