apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·View of Capri
View of Capri by Konstantin Gorbatov

plate no. 2072

View of Capri

Konstantin Gorbatov, 1926

oil, canvasPost-Impressionismlandscapeboatswaterbuildingsmountainsskyharbor
some experience helpful

Recreating this painting will help students develop skills in color mixing for atmospheric perspective and capturing reflections in water. It also provides practice in depicting complex architectural forms with simplified brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, buildings, and boats.

  2. step 02

    Establish the main color blocks for the sky, water, and land masses.

  3. step 03

    Begin layering in the colors of the sky, blending to create soft clouds.

  4. step 04

    Paint the mountains, using cooler tones for shadows and warmer tones for highlights.

  5. step 05

    Add the buildings, focusing on capturing their basic shapes and colors.

  6. step 06

    Paint the boats, paying attention to their reflections in the water.

  7. step 07

    Refine the details of the buildings and boats, adding highlights and shadows.

  8. step 08

    Add final touches to the water, creating texture and movement with short brushstrokes.

color palette

primary · ultramarine blue · titanium white · yellow ochre · raw umber

secondary · cadmium red · cadmium yellow · viridian

Mix blues and whites for the sky and water, adding touches of yellow and red for warmth. Use raw umber and white for the mountains, adding touches of blue and yellow for atmospheric perspective. Mix reds, yellows, and blues to create the various building colors.

techniques

  • ·broken color
  • ·scumbling
  • ·wet-on-wet blending
  • ·alla prima
  • ·impasto

common pitfalls

  • →Overworking the details, losing the freshness of the brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Failing to capture the atmospheric perspective, making the background appear too sharp.
  • →Ignoring the reflections in the water, resulting in a flat and unrealistic depiction.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov