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home·artworks·View of Bottom and MeudonBillancourt
View of Bottom and MeudonBillancourt by Henri Rousseau

plate no. 3155

View of Bottom and MeudonBillancourt

Henri Rousseau, 1890

oil, canvasNaïve Art (Primitivism)landscapelandscapevillagetreesfieldsskyfigures
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to simplify complex scenes into basic shapes. It also provides practice in mixing muted colors and creating depth through layering.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the village and fields.

  2. step 02

    Block in the sky with a light blue-gray wash, blending it slightly towards the horizon.

  3. step 03

    Establish the dark green masses of the trees, using a slightly darker shade for the trees in the foreground.

  4. step 04

    Paint the fields, varying the greens to create depth and interest.

  5. step 05

    Add the basic shapes of the buildings in the village, keeping the colors muted and the details minimal.

  6. step 06

    Paint the figures and horses in the foreground, using simple shapes and dark colors.

  7. step 07

    Add details to the trees and buildings, such as highlights and shadows.

  8. step 08

    Refine the overall composition and add any final touches.

color palette

primary · sap green · titanium white · ultramarine blue · raw umber

secondary · yellow ochre · burnt sienna

Mix greens by combining sap green, ultramarine blue, and yellow ochre. Mute colors by adding a touch of raw umber or burnt sienna.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·atmospheric perspective
  • ·simplified shapes

common pitfalls

  • →Overworking the details, which can detract from the painting's naive charm.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Making the composition too symmetrical or static.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (for cleaning brushes)

optional

  • ·easel
  • ·painting medium
  • ·varnish

A medium-sized canvas (e.g., 16x20 inches) is recommended. Use a limited palette of colors to simplify the mixing process.

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oil painting for beginners →how to learn by studying the masters →
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