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home·artworks·View of an Old Town
View of an Old Town by Konstantin Gorbatov

plate no. 2040

View of an Old Town

Konstantin Gorbatov

oil, canvasPost-Impressionismlandscapetownbuildingswaterboatsskyclouds
some experience helpful

Recreating this painting will help students develop skills in capturing reflections in water and using broken color to create atmospheric perspective. It also provides practice in simplifying complex architectural forms.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 7 steps

  1. step 01

    Sketch the basic shapes of the buildings, boats, and water, paying attention to perspective.

  2. step 02

    Block in the main color areas for the sky, water, and buildings with thin washes.

  3. step 03

    Start building up the texture of the clouds with short, broken brushstrokes.

  4. step 04

    Add details to the buildings, focusing on capturing the light and shadow.

  5. step 05

    Paint the reflections in the water, using similar colors to the objects above but with softer edges.

  6. step 06

    Add the boats and figures, paying attention to their scale and placement.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and atmosphere.

color palette

primary · ultramarine blue · titanium white · burnt umber · yellow ochre

secondary · cadmium red · viridian green · raw sienna

Mix various shades of gray and brown by combining burnt umber, ultramarine blue, and white. Use yellow ochre and cadmium red to create the warm tones of the roofs and buildings. Mix viridian green with yellow ochre and white for the greens.

techniques

  • ·broken color
  • ·wet-on-dry
  • ·scumbling
  • ·alla prima
  • ·impasto

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Creating reflections that are too literal and symmetrical.
  • →Failing to establish a clear focal point.
  • →Not paying enough attention to the values and creating a flat, uninteresting painting.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, titanium white, burnt umber, yellow ochre, cadmium red, viridian green, raw sienna)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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