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home·artworks·View from the Royal Palace
View from the Royal Palace by Dumitru Ghiatza

plate no. 5558

View from the Royal Palace

Dumitru Ghiatza

oilPost-Impressionismcityscapebuildingscityscaperooftopstreesskyarchitecture
some experience helpful

This painting is great for practicing color mixing to achieve subtle variations in light and shadow, and for learning to simplify complex scenes into basic shapes and forms. It also offers practice in creating texture with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition lightly on the canvas, focusing on the placement of the buildings and the main architectural features.

  2. step 02

    Block in the large areas of color for the sky, buildings, and trees using thin washes.

  3. step 03

    Start building up the layers of color on the buildings, paying attention to the light and shadow.

  4. step 04

    Add details to the rooftops, such as the tiles and chimneys, using small brushstrokes.

  5. step 05

    Develop the foliage of the trees, using a variety of greens and browns to create depth and texture.

  6. step 06

    Refine the details of the architecture, such as the windows and doors.

  7. step 07

    Add highlights and shadows to create a sense of form and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and balanced composition.

color palette

primary · titanium white · burnt sienna · ultramarine blue

secondary · yellow ochre · sap green · raw umber

Mix white with small amounts of burnt sienna and yellow ochre to achieve the warm tones of the buildings. Use ultramarine blue and white for the sky, and mix greens with yellow ochre and ultramarine blue for the foliage.

techniques

  • ·blocking in
  • ·layering
  • ·dry brush texture
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Getting bogged down in details too early.
  • →Not paying attention to the values and creating a flat image.
  • →Using colors straight from the tube without mixing them.
  • →Overworking the painting and losing the freshness of the brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·sap green oil paint
  • ·raw umber oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·easel

Use a medium-sized canvas (e.g., 16x20 inches) for this painting. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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