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home·artworks·View from the Old British Trenches- Looking towards La Boisselle, Courcelette on the Left, Martinpuich on the Right
View from the Old British Trenches- Looking towards La Boisselle, Courcelette on the Left, Martinpuich on the Right by William Orpen

plate no. 3546

View from the Old British Trenches- Looking towards La Boisselle, Courcelette on the Left, Martinpuich on the Right

William Orpen, 1917

oilPost-Impressionismlandscapelandscapetrencheshillsskycloudsvegetation
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding atmospheric perspective to convey distance.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the major landforms.

  2. step 02

    Block in the sky with light blues and purples, blending softly.

  3. step 03

    Establish the distant hills with muted greens and browns, using lighter values.

  4. step 04

    Define the foreground trenches with darker greens, browns, and yellows, varying the brushstrokes.

  5. step 05

    Add highlights to the sunlit areas of the trenches and hills.

  6. step 06

    Layer different shades of green and brown to create texture in the vegetation.

  7. step 07

    Refine the details of the trenches, adding small strokes to suggest individual plants and rocks.

  8. step 08

    Adjust values and colors to create a sense of depth and atmosphere.

color palette

primary · yellow ochre · burnt umber · ultramarine blue · titanium white

secondary · cadmium green · alizarin crimson · violet

Mix greens by combining yellow ochre and ultramarine blue. Create muted tones by adding a touch of complementary color. Use white to lighten values and create atmospheric haze.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·layering
  • ·dry brushing

common pitfalls

  • →Overworking the details in the foreground.
  • →Creating too much contrast, which flattens the image.
  • →Using pure colors without mixing, resulting in a harsh look.
  • →Ignoring the atmospheric perspective, making the distant hills appear too sharp.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·photo reference

Use a medium-textured canvas to enhance the brushstroke visibility. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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