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home·artworks·View from the Library
View from the Library by Joseph Lorusso

plate no. 1112

View from the Library

Joseph Lorusso

oil, resinContemporary Realisminteriorfigureinteriorbookshelfdoorlampwindow
some experience helpful

Recreating this painting will help students develop skills in painting light and shadow within an interior space and capturing the subtle nuances of skin tones and fabric textures. It also provides practice in rendering realistic architectural details and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the figure, door, and bookshelf.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar neutral color.

  3. step 03

    Block in the main color areas, focusing on the large shapes of the walls, door, and bookshelf.

  4. step 04

    Begin refining the figure, paying attention to the subtle shifts in value and color in the skin tones and clothing.

  5. step 05

    Add details to the bookshelf, painting the individual books with varying colors and textures.

  6. step 06

    Refine the lighting, adding highlights and shadows to create a sense of depth and dimension.

  7. step 07

    Add final details, such as the doorknob, lamp, and window details.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall mood.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · viridian · yellow ochre · cadmium yellow light

Mix various shades of brown and green by combining burnt umber, raw sienna, viridian, and white. Use yellow ochre and cadmium yellow light to create highlights on the door and bookshelf.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle shifts in color temperature.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering paint.

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oil painting for beginners →how to learn by studying the masters →
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